Indie Exclusive Releases

Quick View

Round Record is proud to reintroduce the recordings of David Grisman & Jerry Garcia with the debut volume in a new series exploring the foundation of their beloved studio recordings. The collection assembles the master takes originally recorded as duos which were later embellished with various instrumentation before released on Garcia/Grisman, Shady Grove, Been All Around This World, and Not for Kids Only. They are presented here for the first time in their original unadorned state on 2xLPs.

Quick View
The Velveteers bring a visceral energy to their explosive sophomore album, A Million Knives, loaded with blistering rock anthems infused with melodic indie songwriting. With GRAMMY® Award-winning producer Dan Auerbach at the helm, the Boulder, CO trio encapsulates the raw, forceful, and profoundly heavy power of their live performances and laser-focuses a spotlight on tightly crafted songs as they carve out their own distinctive niche.
Quick View
Andrew Bird & Madison Cunningham’s new album, Cunningham Bird, reinvents the classic 70s gem Buckingham Nicks. With a fresh, modern twist, they blend their distinct folk & indie sounds, creating a compelling homage to the original. Bird's intricate violin work & Cunningham’s soulful vocals transform the timeless melodies, offering both a nod to the past & a vibrant, contemporary flair. Fans of both artists & the original album will find this collab a rewarding journey and ode to a classic.
Quick View

“You have to see them in concert,” is what fans of The National have been preaching for years. “The songs transform. It’s a whole other level.” Recorded live (without overdubs) in June 2024 at an architecturally stunning venue named for famed Italian film composer Ennio Morricone, Rome is the definitive live document of The National. The 21-track double album is truly career spanning, and showcases scintillating versions of beloved songs like “Bloodbuzz Ohio,” “Don’t Swallow the Cap,” “I Need My Girl,” “The System Only Dreams in Total Darkness,” “England” and “Fake Empire”; plus sharpened readings of recent tracks “Eucalyptus,” “New Order T-Shirt,” “Tropic Morning News” and the boundary-pushing “Smoke Detector.” The National’s setlist changes significantly show to show, revisiting their 25-year catalog to cast fresh light on hidden gems. For Rome that includes the show opener “Runaway,” “Lemonworld,” “The Geese of Beverly Road,” “Lit Up” and a tour de force pairing of “Humiliation” from their critically acclaimed album Trouble Will Find Me into Sad Songs For Dirty Lovers’ “Murder Me Rachael.” The Rome encore features the election anthem “Mr. November,” and, from High Violet, “Terrible Love” and the show-closing fan singalong, “Vanderlyle Crybaby Geeks.” The live album was mixed by the band’s longtime collaborator Peter Katis. Reviewing a National performance this summer, NME wrote that “every song is played like it could be the last.” Rome captures that playing-for-keeps urgency on record and serves not merely as a concert souvenir but the latest vital addition to the band’s peerless catalog.

Quick View
Two Sasamis exist in harmony. First is Sasami Ashworth, the conservatory-trained classical French horn player, producer, and composer—an artist with a studious approach to craft. And then there is all-caps SASAMI, the fearless performer and protagonist of her three increasingly audacious albums. For Blood On the Silver Screen, these two sides fused for her most epic and realized music to date: the all-out Sasami pop record. After establishing herself with the poised melancholia of her eponymous 2019 debut, Sasami embraced volume and control on 2022’s Squeeze—touring with a metal band—but her goal on Blood On the Silver Screen was to speak her truth with conviction by singing. Working with co-producers Jenn Decilveo and Rostam, with Sasami as sole writer, each Blood On the Silver Screen track viscerally captures a different thread of love, sex, power, and embodiment. “Pop music is like fuel,” Sasami says. “It’s just invigorating.” Across Blood On the Silver Screen, Sasami’s lyrics narrate the ecstasies and agonies of being “a modern lover,” she says—writing about “big city dating endeavors” even as she found herself relocating, on a whim, from Los Angeles to rural Northern California. The anthemic “For the Weekend” explores “modern intimacy, where you can get deep without the relationship being defined,” while the irrepressible “Just Be Friends” bottles the dizzying longing that can overtake those in-betweens. “I wanted to go all out with this album,” Sasami continues. “I wanted to, in my tenderness and emotionality, have the bravery to undertake something as epic as making a pop record about love. I hope it makes people feel empowered and embodied, too. It’s important to not box yourself in.”
Quick View
The Human Fear is the sixth studio album from Franz Ferdinand. Produced with Mark Ralph, who previously worked with the band on their 2013 album Right Thoughts, Right Words, Right Action, the album showcases Franz at their most immediate, upbeat and life-affirming, unashamedly going for the pop-jugular in classic Franz style. Recorded at AYR studios in Scotland, the 11 songs on The Human Fear all allude to some deep-set human fears and how overcoming and accepting these fears drives and defines our lives.
Quick View

Indie Exclusive - FIRST TIME ON VINYL - Armed to the Teeth is Swollen Members' fifth full-length release, released on October 27, 2009. The album features guest appearances by Talib Kweli and Tech N9ne. In the United States the album debuted at #146 on the Billboard 200 with 3,400 copies sold in its first week, making it their first appearance on that chart.

Quick View
Indie Exclusive - Solange's 2008 critically-lauded album was her second, but the first where she stretched out and showed the vision and creativity that fans have come to expect . This Motown-influenced album debuted #9 on the Billboard Top 200 and features production by Pharrell Williams, Mark Ronson, Thievery Corporation, Bilal and others.

        
back to top