|I'll Be Your Mirror: A Tribute To The Velvet Underground & Nico [Indie Exclusive Limited Edition Yellow 2 LP]||Various Artists||Verve||Vinyl||2021-09-24||$38.98|
|Remember Her Name||Mickey Guyton||Capitol Nashville||CD||2021-09-24||$11.99|
|Music City USA [Indie Exclusive Limited Edition LP + 11x11 Autographed Insert]||Charley Crockett||Son of Davy||Vinyl||2021-09-17||$25.98|
|star-crossed [1 LP] [Mystery Color 1 of 3]||Kacey Musgraves||MCA Nashville/Interscope||Vinyl||2021-09-10||$26.98|
|A Beautiful Life [Indie Exclusive Limited Edition Neon Violet 2LP]||Heartless Bastards||Sweet Unknown Records||Vinyl||2021-09-10||$24.98|
|Hey What [LP]||Low||SUB POP||Vinyl||2021-09-10||$24.98|
|Parallel Timeline [Indie Exclusive Limited Edition Neon Yellow LP]||Slothrust||Dangerbird||Vinyl||2021-09-10||$21.98|
|Sitting Pretty On Top Of The World||Lauren Alaina||Mercury Nashville||CD||2021-09-03||$11.99|
I’ll Be Your Mirror: A Tribute to the Velvet Underground & Nico, is a contemporary tribute to the Velvets debut, with each of the album’s songs performed by one of the band’s noteworthy artistic descendants. Featured artists include Kurt Vile & the Violators, Sharon Van Etten, Iggy Pop & Matt Sweeney, Michael Stipe, Matt Berninger of The National, Courtney Barnett, King Princess, Fontaines D.C. and more. Wide Spine Jacket. Indie Exclusive Yellow 2 LP.
Capitol Nashville’s Mickey Guyton will release her album, Remember Her Name, on September 24. Mickey co-penned 15 of the 16 songs on the album. Remember Her Name follows the release of her critically acclaimed Bridges EP which included “Black Like Me” for which she went on to receive a historic GRAMMY nomination. Her performance on the prestigious GRAMMY show was the first by a black female country artist and was touted by NPR as “the night’s most affecting live performance.”
MP3 Album: $9.99 Download
The album cover you’re looking at might lead you to conclude Charley Crockett is on one hell of a roll. You wouldn’t be wrong. Ten records in six years is some kind of prolific. The latest, a double album, suggests the artist has some songs worth paying attention to. It’s clear that he’s invested as much time in the studio, recording storytelling songs, and making storytelling videos, as he has barnstorming around the United States and Europe playing live shows.
Not bad for a thirty-seven-year-old late bloomer.
Charley Crockett has been a fairly remarkable artist to follow. He’s got a sound. He’s got something to say. He has a look. And there’s a gauzy veil of mystery surrounding him suggesting he knows more than he’s letting on.
All those records in such a short amount of time have come with a “No Two Alike” guarantee, particularly the last three releases: the darkly prescient Welcome to Hard Times; the semi-autobiographical, hard-core country-roots The Valley; and 10 for Slim, his tribute of songs by the obscure and wholly authentic Texas honky-tonk maestro James Hand.
His voice is one-of-a-kind. His distinctive, plaintive vocals crack unapologetically with emotion, and he phrases his lines around the beat like a jazz singer, while he expounds upon personal relationships and the world beyond.
Now comes Charley’s tenth album in his six-year career. In the Crockett tradition, it is as ambitious and ground-breaking as each piece of recorded music he’s put out so far. And it’s not just an album. It’s a double album of Charley Crockett originals, each song going the distance to further define this singer-songwriter-performer-artist who came out of the proverbial nowhere.
Charley has endured the collapse of the recording industry, no money, petty crime, societal ennui, the Covid-19 pandemic, open heart surgery, one-night stands, long distance rides in a van, loud truck stops and diners serving stale lukewarm coffee to get to where he is now.
His reward – and yours – is this collection of Charley Crockett originals.
Sad, uplifting, hard, and sweet, complex and delicate all at once, his songs are like life its ownself, just like the songs’ creator: like nothing you’ve heard or seen before, a genuine Texas original.
JOE NICK PATOSKI
1 LP mystery color vinyl (collect all three – Ruby Red, Sea Glass or Neon Yellow). Kacey Musgrave’s latest album, star-crossed, is a bold, empowering, and personal series of songs that displays 6x GRAMMY Award winner’s growth as one of the finest singer/songwriters of our time. It’s the follow-up to Golden Hour, which earned Kacey her 3rd #1 Billboard Country Album and distinguished her as only the third artist to win Album Of The Year at the GRAMMY Awards, CMA Awards, and ACM Awards.
Vinyl: $24.98 Buy
A Beautiful Life is the first new music from Heartless Bastards since 2015’s Restless Ones. The album was produced by Kevin Ratterman (Strand Of Oaks, Jim James, White Reaper). Album performers include Andrew Bird on “The River,” Greggory Clifford (White Denim) on drums, Jesse Chandler (Mercury Rev, Midlake) on keys, flute, clarinet; David Pulkingham (Patty Griffin) on guitar, Bo Koster (My Morning Jacket) on keys. The music is a melange of blues rock, rock and singer-songwriter which surround themes about self-love and awareness, mental health, the environment, and consumerism.
Focusing on their craft, staying out of the fray, and holding fast their faith to find new ways to express the discord and delight of being alive, to turn the duality of existence into hymns we can share, Low present HEY WHAT. These ten pieces—each built around their own instantaneous, undeniable hook—are turbocharged by the vivid textures that surround them. The ineable, familiar harmonies of Alan Sparhawk and Mimi Parker break through the chaos like a life raft. Layers of distorted sound accrete with each new verse - building, breaking, colossal then restrained, a solemn vow only whispered. There will be time to unravel and attribute meaning to the music and art of these times, but the creative moment looks FORWARD, with teeth. HEY WHAT is Low's thirteenth full-length release in twenty-seven years, and their third with producer BJ Burton.
On Slothrust’s latest album, bandleader Leah Wellbaum pushed herself to try and understand her own spirituality on a deeper level, putting a lens on the core wound of the human experience, the idea that we’re alone. With Parallel Timeline , Wellbaum explores the feeling of being trapped inside her own consciousness while simultaneously searching for a meaningful connection to the universe, and all the mysteries it contains.