|The Waterfall II [Clear LP]||My Morning Jacket||ATO RECORDS||Vinyl||2020-08-28||$22.98|
|Use Me [LP]||PVRIS||WARNER RECORDS||Vinyl||2020-08-28||$21.98|
|Folk N’ Roll Vol. 1: Tales Of Isolation [2LP]||Ondara||VERVE FORECAST||Vinyl||2020-10-23||$29.98|
|Spell My Name||Toni Braxton||ISLAND||CD||2020-08-28||$11.99|
|Blackbirds [LP]||Bettye Lavette||VERVE||Vinyl||2020-08-28||$22.98|
|Imploding The Mirage||The Killers||ISLAND||CD||2020-08-21||$13.99|
|The Shadow [LP]||Naked Giants||NEW WEST RECORDS||Vinyl||2020-08-21||$22.98|
|Country State Of Mind [CD+Sticker]||Josh Turner||MCA NASHVILLE||CD||2020-08-21||$11.99|
|Dreamland [LP]||Glass Animals||REPUBLIC||Vinyl||2020-08-07||$25.98|
Standard weight clear vinyl
The Waterfall II completes The Waterfall, My Morning Jacket’s acclaimed 2015 record. Originally intended to be a sprawling triple album, the band were advised to hold back and keep some of it on the shelf. Until now! Frontman Jim James says, "this is simply the second half of a long snapshot of life for me as a writer in the years leading up to 2014, and the life of us as a band as we lived and worked in the epic country in and around Stinson Beach, CA during these recording sessions."
“I allowed myself to support a narrative I thought I had to support of PVRIS being a band,” Lynn confesses. “I didn’t really have a role model for this. Coming from a ‘band culture,’ it’s about how the group is always greater than the sum of its parts, and you’re not supposed to take credit, even if you do everything. There’s no template or role model for really owning it as a woman. I wanted to make everyone else happy and uphold an image I thought we had to. Growing up, I learned I don’t have to do that anymore. I’m finally allowing myself to take credit. I’ve got the full support and encouragement of my bandmates. PVRIS is a unit and very much a team, but the heart and soul of the vision and music always has sourced from me. I’m just saying it now. I fulfilled my own vision of what a role model should be.”
Writing and recording all of 2019, she found the perfect collaborator to bring this to life in JT Daly [K. Flay]. With Lynn writing, cooking up beats, playing guitar, drums, and bass, and singing, he amplified and augmented her vision and versatility in the studio. PVRIS set the foundation for the new era with recent EP, Hallucinations, spawning lead single and title track “Hallucinations,” which clocked 10 million total streams in a few months’ time, as well as fan favorites, “Old Wounds” and “Death of Me.”
Multi-Platinum, GRAMMY-winning megastar Toni Braxton releases her latest album, Spell My Name, via Island Records August 28th. Includes hit single, “Do It” as well as a new version with Missy Elliot, and fan-favorite “Dance”. Braxton has sold over 67 million records throughout her career over the past three decades.
Blackbirds features songs primarily popularized by women who were the “bridge she came across on.” The album finds LaVette in top form with powerful renditions of songs that touched her personally. From Dinah Washington’s “Drinking Again,” Nina Simone’s “I Hold No Grudge” and more, they are all delivered in LaVette’s rich & raspy tone. Blackbirds honors LaVette’s heritage as an R&B singer and the women who came before her. LaVette A&R’d and sequenced the record herself – her first true curation.
Imploding the Mirage is The Killers highly anticipated sixth studio album. The album - produced by the band in conjunction with Shawn Everett and Jonathan Rado of Foxygen - was recorded in Los Angeles and Park City, UT. It is the first album of their career to be created outside their hometown of Las Vegas, NV. Imploding The Mirage also features a brilliant array of collaborators, another first for the band who have typically kept guest spots on their albums to a minimum. The list of featured artists includes Lindsey Buckingham, k.d. lang, Weyes Blood, Adam Granduciel (War On Drugs), Blake Mills, and Lucius.
The Shadow is an album of growth. In the years since our previous album SLUFF was recorded, we have toured around the world, honed our musical skills and found our own little place in the music industry - but we have also seen our share of shadows, and it is through acknowledging these shadows that we grow the most. Each song on The Shadow examines an aspect of this growth through a different musical lens, adding up to a series of rock-and-roll vignettes of light, shadow, anxiety and responsibility. Frantic punk-scenes of information overload are contrasted by patient drones of introspection; fun, ear-worm musings of life as a young rock band are juxtaposed with the heavier responsibility of having a voice and not quite knowing what to say. The amalgam of information in the songs is complemented with a blend of sonic perspectives - we threw in all our infl uences, from the usual suspects of punk rock and new wave to spacedout 80’s balladry, fuzzy garage-metal and psychedelic desert folk (with synths and tape loops added to taste). And with producer Chris Funk leading the way, our somewhat scatterbrained sprawl of musical and conceptual ideas are tied together in an artful way. Chris’ quiet but steady direction pushed us to serve the songs, reigning in the guitar pedal breaks and drum solo freakouts from our live set while leaving just enough unpredictability and experimentation to give the album a liveliness of its own.
Josh Turner returns with his new studio album, Country State Of Mind. The 12-track record highlights some of Turner’s favorite Country Classics, and features guest appearances from John Anderson, Kris Kristofferson, Chris Janson, Runaway June, Maddie & Tae, and the legendary Randy Travis. CD packaging includes a bonus “Country State Of Mind” decal sticker.
Amassing over 2 billion streams, British four-piece Glass Animals is led by singer/songwriter/producer Dave Bayley with bandmates and childhood friends Joe Seaward, Ed Irwin-Singer & Drew MacFarlane. A fan favorite, their album How To Be A Human Being was one of the most critically acclaimed records of 2016. Now, Glass Animals is back with new album DREAMLAND. Featuring hit singles “Tokyo Drifting” with Denzel Curry and “Your Love (Déjà Vu)”.
How To Be A Human Being has received praise from various press outlets, including Billboard, Pitchfork, The FADER, The Guardian, The Telegraph and more. Glass Animals has also made appearances on Jimmy Kimmel Live!, The Late Show with David Letterman, Late Night with Seth Meyers and The Late Late Show with James Corden. As well as producing both of Glass Animals’ studio albums, ZABA and How To Be A Human Being, Dave has worked with a number of artists outside of the band, including 6lack, Khalid, Joey Bada$$, DJ Dahi, Flume and MorMor.